Another Unknown Daniel Ridgway Knight Surfaces

Daniel Ridgway Knight’s Coming Through the Rye (framed) – Courtesy: Rehs Galleries, Inc., New York

Rehs Galleries Inc., the New York gallery specializing in 19th and 20th-century works of art, recently discovered ‘Coming Through the Rye’, a previously unknown painting by the American Ex-patriate artist Daniel Ridgway Knight (1839-1924). 

Born in Chambersburg, PA, Ridgway Knight received his formal training at the Pennsylvania Academy of Fine Arts, where he was a classmate of Thomas Eakins and Mary Cassatt. In the early 1860s, he traveled to Paris and studied with Alexandre Cabanel and Charles Gabriel Gleyre. In 1863, he returned to the United States to serve in the Civil War; during this time, he met Rebecca Morris Webster. The two were married in 1871, and the following year the couple traveled back to France, where they would remain for the rest of their lives.

Once settled in France, they became friendly several artists including Renoir, Sisley, and Meissonier (the latter of which he developed a close relationship). Ridgway Knight’s 1875 Paris Salon painting ‘Les laveuses’ (Wash Day) received critical acclaim and was inspired by a Meissonier sketch.

‘Coming Through the Rye’ (circa 1899) is a unique image, capturing one of his favorite models, Madeleine, walking down a path in the town of Rolleboise (about 40 miles west of Paris). Little is known about its very early history, but it ended up in the collection of Patrick Cudahy (1849-1919). Cudahy was born in Ireland and emigrated to the US with his family when he was a baby. Later, he worked at the Plankinton and Armour meat packing plant and became the superintendent in 1874, taking over the company with his brother John in 1888 and changing its name to Cudahy Brothers.

Daniel Ridgway Knight’s Coming Through the Rye – Courtesy: Rehs Galleries, Inc., New York

In 2022, the current owners, descendants of Patrick Cudahy, decided to sell the painting, and their representative contacted Rehs Galleries (the gallery, along with Professor Janet Whitmore, are currently researching the life of Daniel Ridgway Knight for the forthcoming virtual catalogue raisonné). Howard Rehs, the gallery’s owner, stated, “When I received the initial images, I was amazed by the scene. Knight typically captured his models in one of the private gardens of Rolleboise; this one was different. The model (Madeleine) is carrying a pitchfork while walking down a path. In the distance, you can see the roofs of a few homes and a piece of the Seine River; in the upper right is Saint Michel. On top of all that, the painting appeared to be in original condition”. 

The gallery arranged to have the painting shipped in for their inspection. Upon arrival, they confirmed its authenticity and that it was in outstanding condition. Sadly though, it no longer had its original frame; the work arrived in an insert behind a dirty piece of glass. Thankfully, the gallery had an original Ridgway Knight frame in its storage area, and the painting was a perfect fit.

‘Coming Through the Rye’ is currently available on the gallery’s website and will be featured in several upcoming fairs.

For more information, come into the beautiful world Rehs Gallery, or call Howard Rehs at (212) 355-5710.

Louvre Mona Lisa Is The Second Version

The Mona Lisa as it is framed in the Louvre.

Research confirms Da Vinci painted earlier version of his masterpiece. Preeminent scientist and art historian Salvatore Lorusso proves new data changing perception of how Louvre portrait is viewed,

Leonardo da Vinci’s portrait of Lisa del Giocondo ‘Mona Lisa’ is the most famous painting in the world. In his new book; ‘Is the Louvre Mona Lisa Leonardo’s second version?’  (L’Erma di Bretschneider – Roma), an in-depth analysis of the original documents, the historical sources and analytical data, Scientist and Art Historian Professor Salvatore Lorusso provides the evidence which settles a long-standing controversial issue: that the artist painted two versions of his immortal masterpiece – the first in c.1503-06 of a young Lisa and the second, the Louvre Mona Lisa, from c.1513 on.

Given the execution of the documented original portrait of Lisa can now be reliably dated, any question of whether it is the Louvre portrait must be considered in the context of the chronology and evolution of Leonardo’s work. Unquestionable evidence shows Leonardo painted two distinct Mona Lisa paintings with different characteristics at different times: the first, an unfinished version and the second, a more finished version, stylistically and structurally different from the first.

Salvatore Lorusso, Professor at University of Bologna

Lorusso’s research takes a critical analysis of numerous publications by Leonardo experts, a small number of whom, despite the evidence, still maintain that the Louvre Mona Lisa was started c.1503 and worked on until near the end of Leonardo’s life in 1519, which is now proven to be an impossibility. 

The historical documents analyzed by Lorusso – many of which have only been discovered recently – show the Louvre Mona Lisa could not have been the original portrait of Lisa del Giocondo started in Florence c. 1503, but instead was likely executed by Leonardo in Rome c.1513-16. Lorusso support this information through an in-depth analysis of the scientific data collected by the Centre de Recherche et de Restauration des Musées de France (C2RMF). Lorusso’s findings prove that the original portrait of Lisa is another version by the great Master, confirming Leonardo painted two Mona Lisas. 

About Salvatore Lorusso

Salvatore Lorusso was formerly a full professor at the University of Bologna, the world’s oldest university, which boasts eminent alumni such as Albrecht Durer, Erasmus, Copernicus, Petrarch, Thomas Becket, Umberto Eco and no less than five popes. With a deep interest in both art and science, Lorusso was among the founders of the first Faculty of Conservation of Cultural Heritage in Italy and is editor-in-chief of the historical-technical Journal ‘Conservation Science in Cultural Heritage’ where the human sciences and experimental sciences meet the arts.

His deep experience and scholarship in both science and art is demonstrated in over 440 publications in national and international journals and 24 independent volumes. His expertise constitutes an ideal blend of both science and art with respect to the complex determination of authenticity and attribution in the field of old masters having recently authored a major publication on exactly that topic. In the last few years, he has become a notable expert on Leonardo’s paintings with specific attention to Mona Lisa and is the author of several works on the subject. His biography appears in the 2016 Marquis Edition of Who’s Who in the World.

Come into the beautiful world of L’Erma di Bretschneider.

 

Louis Vuitton Celebrates 10 Years of Its Objets Nomades Collection at Salone del Mobile

For the tenth anniversary of Objets Nomades, French Maison Louis Vuitton brings the new lifestyle collections to the stage of this year’s Salone del Mobile at Garage Traversi.

This year, Louis Vuitton Objets Nomades collection turns 10. Born in 2012, the line dedicated to lifestyle and home offers a limited edition in collaboration with world-famous designers like Atelier Biagetti, Barber & Osgerby, Campana Brothers, India Mahdavi, Patricia Urquiola, and Raw Edges, to name a few.

The new objects will be the protagonists in the Garage Traversi space for the fifth edition of the exhibition to celebrate 10 years of the Louis Vuitton Objets Nomades collection in Milan during this year’s Salone del Mobile a.k.a. Milan Design Week

Showcased at Garage Traversi, the furniture and objects exhibition features pieces by 14 designers over a decade. Including over 60 pieces, the collection blends the respective designer’s creativity with Louis Vuitton’s ‘Art of Travel’ philosophy. From a parakeet green sculptural couch to outdoor tables and more, the collection is complete with every item thinkable to elevate one’s home.

Additionally, the Milan exhibition unveils five new pieces. Atelier Oï reveals the Belt Lounge Chair, Belt Bar Stool and Belt Side Stool. The Campana Brothers introduce a new four-seater version of their Bomboca modular sofa. Completing the new pieces is the Cosmic Table by Raw Edges.

Furthermore, the French luxury brand is showcasing the Nova House by architects Michel Hudrisier and M. Roma for Studio Rochel. A testament to nomadic architecture, the ‘living pod’ was designed in 1972 and boasts an aluminum-alloy strip-covered steel frame with two bedrooms, a living room, a kitchen and a bathroom.

The Louis Vuitton Objets Nomades collection and Nova House are on display now until Sunday, June 12, at the Garage Traversi in Via Bagutta 2 in Milan. Come into the beautiful world of Louis Vuitton.

Cartier and Islamic Art

French Maison Cartier is pleased to share that the Musée des Arts Décoratifs de Paris will host a new exhibition ‘Cartier and Islamic Art In Search of Modernity’, from 21 October 2021 to 20th February 2022.

This exceptional new exhibition aims to highlight the influence of Islamic Art on the Maison’s design, from the beginning of the 20th century to the present day. More than 500 pieces – including jewellery, masterpieces of Islamic art, and archival documents – trace the origins of the Maison’s interest in eastern motifs.

Come into the beautiful world of Cartier.

In the turquoise blue… of Venice

In the turquoise blue… of Venice, Johan Creten’s ‘La Laguna’ illustrates the passage of time. Submerged in translucent wax, a bronze Venus reveals herself as the candle burns… as the hours pass. Aesthetes and explorers of all stripes can purchase ‘La Laguna’, a limited-edition work of art created for Diptyque’s Le Grand Tour to mark the Maison’s 60th birthday.

Curious, open, sensitive to the beauty and cultures of the whole world: such were Desmond Knox-Leet, Yves Coueslant and Christiane Montadre, the three amateur aesthetes at the origin of diptych. Perpetuating the philosophy of the founding trio, diptych’s view of the world has continued to be enriched by multiple collaborations. In 2021, for its sixty years, the House demonstrates this by inviting five internationally renowned artists to imagine an original creation as part of the Grand Tour, the penultimate part of this extraordinary year. A journey in 5 stopovers, 5 artists and 5 exclusive editions to discover from September 2021 in an exhibition in Paris and pop-ups around the world. Art and diptych are definitely linked.

From different cultures, disciplines and sensibilities, the artists on the Grand Tour map share a common interest in the other and what surrounds them. Their techniques and practices are plural, just like the destinations they have been invited to sublimate. How do they perceive them? And according to what contours? The answer in five artistic proposals to perfumes from elsewhere.

One of the artist is one of the greatest contemporary sculptors, a pioneer in his innovative use of ceramics and the first artist of Belgian origin to have had the honors of the Louvre Museum, in 2005: Johan Creten. The choice to entrust him with Venice, a city appreciated and often visited by the founders of diptych, was obvious. Also famous for his large allegorical bronzes, the artist based in Paris is a lover of nature, the art of perfume and Venetian bronzes, which he collects with passion. “Venice is the city of all fantasies, a mirage, a ghost, a mermaid, a city of brutal and vivid beauty, decadent and delusional. It is a territory of crossroads, multiple artistic influences but also the reality of a dense and complex economic world, of dynamism and decline”.

For diptych, he imagined a bronze sculpture, La Laguna, immersed in a candle 4 wicks of 1.5 kg in blue tinted glass, whose wax of a translucent green blue, reminiscent of the menacing Venetian waters of the acqua alta recently become clear, reveals the female icon. By burning, the candle with the perfume worked by Cécile Matton evoking the freshness of a vegetable garden with accentuated marine notes, releases the sculpture.

To the initial idea of the Venice vegetable garden, the artist wanted to add “the smell of the sea, the note of iodine, a light, indefinable, fresh smell like the wind that floats above the water when you pass ‘Torcello’ in ‘vaporetto’ and smell the kitchen and gardens. Seeming gradually to emerge from the waters, La Laguna symbolizes for the artist ‘the passage of time, the fragility of this ecosystem, the mystery’. A candle ‘memento mori par excellence’ that leaves, once used, the vivid trace of its passage via a limited edition printed in 24 copies to keep for a long time, a small object with an independent ‘life’, which makes you dream and calls out”.

Diptique’s La Laguna is available in 24 numbered editions at their website. Come into the beautiful world of Diptyque.

Christian Dior Designer of Dreams

Photos © Here and Now Agency

At French Maison Christian Dior, art meets fashion for the finest causes. Take an immersive tour through the ‘Christian Dior: Designer of Dreams’ exhibition running at the Brooklyn Museum in New York, until February 20, 2022. This marks the fifth international stop for the landmark retrospective, with its original record-breaking iteration in Paris.

Curated by Florance Müller in collaboration with Matthew Yokobosky, the museum’s Senior Curator of Fashion and Material Culture, the exhibition explores the whole history of the House, and the story of the founding couturier himself, from the revolutionary New Look collection of 1947 through the work of each of his successors up to Maria Grazia Chiuri today.

Divided into thematic sections such as gardens, Versailles, color and the ateliers, it also focuses on the influence exerted by the United States and especially New York, to which Monsieur Dior sailed several months after his debut, and where he would establish a subsidiary the following year.

Come and discover this unique place if you’re around. ​Come into the beautiful world of Christian Dior. ​

Discover the new Miss Dior pop-up store and the ‘As Seen By’ exhibition in Japan

In Tokyo, the exclusive ‘As Seen By’ exhibition recently opened its doors to feature artwork and creations inspired from French Maison Christian Dior’s iconic Miss Dior fragrance.

Visitors can also discover a unique Miss Dior pop-up store, for a complete immersion in the floral universe of the new Miss Dior Eau de Parfum. Alongside a limited make-up line, the haute-couture ‘Millefiori’ dress, created by Maria Grazia Chiuri, and worn by Natalie Portman in the new Miss Dior film campaign, is also displayed in the store.

Come and discover this unique place if you’re around. ​Come into the beautiful world of Christian Dior. ​

A new Cartier photographic exhibition at Saatchi Gallery celebrates the Maison’s most enduring icons

London’s Saatchi Gallery is currently showcasing a photographic exhibition on French Maison Cartier’s world-renowned creations across watches and jewelry. Entitled, ‘Studio 7 by Cartier’, the maison’s story is told through seven of its most iconic pieces, such as the Santos, Tank, Panthère, Trinity, Love, Juste Un Clou, and Ballon Bleu. For the very first time, an incredible show of Cartier stories are told through a photographic journey, from the past to the present. Located on the ground floor of the Saatchi Gallery, the exhibition runs across four galleries.

The Santos watch. The Love bracelet. The Trinity ring. You don’t need to be a watch or jewellery aficionado to recognise these monikers as distinctly Cartier. 

A new photographic exhibition at Saatchi Gallery celebrates seven of the Maison’s most recognisable icons, including the Santos, Ballon Bleu and Panthère de Cartier watches, as well as the seminal Love bracelet, designed by Aldo Cipullo in 1969, now available in white, yellow or rose gold with or without diamonds. In 2016, it was the most Googled piece of jewellery in the world and remains a mainstay of modern bracelet stacks. In 1971 Cipullo also designed the Juste Un Clou bracelet in – a nail that wraps elegantly around the wrist, to capture the era’s rebellious spirit and unabashed glamour.

The show, coined ‘Studio 7’, spread across four rooms, is meant to highlight the enduring appeal of these creations by showcasing them on celebrities, friends of the brand and clients over the years. The first gallery is called ‘Legends’ and aptly showcases a portrait of figures, such as Andy Warhol, who is seen wearing his Tank watch. Further on and you can find Tina Turner and her Love bracelet, Jean Cocteau with his Trinity ring, along with Jacqueline Bisset, Catherine Deneuve, Alan Delon and Grace Kelly – to name just a few.

In the next space, entitled ‘Inspiration’, Cartier shows a new dimension to portraiture by highlighting modern photographers, such as Mary McCartney, who has captured the likes of actress Vanessa Kirby, who is seen wearing her Juste Un Clou bracelet, along with Stephen Jones, Emma Corrin and boxer Ramla Ali, to name a few. Photos are projected on a floor-to-ceiling screen for a dramatically immersive experience.

For the ‘Studio’ portion, users are invited into a custom photography space where they can be photographed sharing their own Cartier story. Lastly, ‘Encounters’ select portraits from the ‘Studio’ space which are displayed in a mosaic of digital screens. These photographs are also available for visitors to print for a truly memorable experience.

The exhibition delves into the Cartier archives, showcasing early sketches and models, including a 1916 Santos wristwatch. The square-cased style was originally designed in 1904 for aviation pioneer Alberto Santos-Dumont, before later launching in 1978 as an instant bestseller. Most famously, it was worn by power dressing financier Gordon Gekko in the 1987 film ‘Wall Street’.

Cartier has always been ahead of the curve in creating luxurious, modern pieces that can be worn every day. While designs have been subtly tinkered with over the years – the Juste Un Clou was redesigned in 2012, while the Panthère de Cartier was relaunched for women in 2017 – each one remains a lasting talisman, restyled by a new generation. This new exhibition is the perfect way to experience that first hand.

‘Studio 7 by Cartier’ is a free exhibition which runs from Friday 23rd July to Sunday 8th August 2021 at Saatchi Gallery in London. To reserve tickets, follow the link here. Come into the beautiful world of Saatchi Gallery.

Saatchi Gallery
Duke of York’s HQ,
King’s Rd,
London SW3 4RY,
United Kingdom

Loewe and Sotheby’s for Loewe Weaves project

Spanish luxury house Loewe has teamed with Sotheby’s auction house to showcase its commitment to craft through the Loewe Weaves project. The objects presented include artisan-embellished Galician chestnut roasters, bags and accessories for a unique collection that resonates with artisanal craftsmanship.

“Craft is one of my main interests: one that I’ve made central to Loewe’s identity,” says Jonathan Anderson, Creative Director of the Spanish luxury house. Each project at Loewe is a way to explore a different aspect of craft. LOEWE Weaves explores the art of weaving, which can be employed as decoration or to build a structure. The main protagonist in the collection is a traditional handmade clay Chestnut roaster pot from Galicia. The holes punched – originally to allow the chestnuts to roast – have been re-appropriated by artists who experiment with different weaving techniques.

From May 1-12, Sotheby’s is exhibiting a selection of handmade pots created by master potter Antonio Pereira and reinterpreted by three artists: Arko (Japan), Min Chen (China) and Laia Arqueros (Spain). The works will enjoy an exceptional showcase in conjunction with Sotheby’s auctions of 20th and 21st century art. Loewe Weaves pieces will be sold at a fixed price on Sotheby’s Buy Now online marketplace from May 1. Loewe becomes the first major luxury fashion house to consign with the platform.

Each handmade pot becomes a canvas for international artists to explore a range of experimental weaving techniques, resulting in a collection that twists the functionality of these objects and gives the discarded materials new life.

Loewe also invited Spanish artisans Idoia Cuesta and Belen Martinez, as well as artisans from Loewe’s own ateliers, to experiment with over 80 chestnut roasters, giving free rein to their imaginations. Faithful to the myriad expressions of the art of weaving the artisans twisted and turned the function of the objects. The holes in the traditional roasters are braided or passed through with ribbons, leather strings, wool threads, straw or feathers, taking on new life. Some artists chose to glaze or paint the surface, while others left the clay untouched.

Each piece recounts a singular story, rewiring the initial function by playfully welcoming abstraction. Many of the materials that embellish the Loewe Weaves roasters are surplus from past Loewe collections. Reuse of excess materials to give them a new and vibrant life perfectly embodies the ethos of the Maison as summed up by Jonathan Anderson: “Authentic craft, for me, is sustainable.”

Loewe Weaves includes a collection of revisited iconic bags and accessories. Available from May 27 at loewe.com and selected stores, the Balloon bag is animated with a garland of flowers crafted from leather offcuts, while the Elephant bag is featured in woven raffia. “Across this whole project, I hope that what comes through is the liveliness and expansiveness of contemporary craft, as well as its playfulness. I am proud we have created singular objects that rewire function through decoration, and the other way round,” concludes Jonathan Anderson.

The main protagonist of Loewe Weaves is the chestnut roaster from Galicia: a series of handmade clay pots crafted by master potter Antonio Pereira (above).

In collaboration with Sotheby’s, selected chestnut roasters will be on display at the auction house’s New York galleries from 1– 12 May, and seven pieces will be available to purchase on the Sotheby’s Buy Now online marketplace.

The chestnut roasters are available in selected Loewe stores worldwide from 27 May. Come into the beautiful world of Loewe.

Espace Louis Vuitton Beijng; Alberto Giacometti

The Espace Louis Vuitton Beijing presents an exhibition dedicated to selected works by Alberto Giacometti from the Fondation Louis Vuitton’s Collection.

Born in Switzerland in 1901, Alberto Giacometti moved to Paris in 1922 where he stayed until his death in 1966. Despite the almost instant recognition of his work, Giacometti quickly turned away from the surreal objects that brought him recognition in the 1920s, to focus on the model. As the bodies he sculpted became thinner, and with a sense of lingering failure over his inability to reproduce his models as he perceived them, he achieved extreme simplification of the forms, reducing them to the essential lines of their precarious existence.

Grande Femme II
Femme de Venise III
Buste d’Homme Assis

This exclusive display gathers eight key masterpieces of Giacometti’s oeuvre, that belong to the Collection: Tête sur tige [Head on a rod] (1947), Trois hommes qui marchent [Three men walking] (1948), Homme qui chavire [Man who capsizes] (1950), Femme de Venise III [Woman of Venice III] (1956), Grande Femme II [Tall Woman II] (1960) and Têtes d’homme [Heads of a man] (Lotar I), (Lotar II) and (Lotar III) (1964-65). These selected works pay tribute to the virtuosity of this iconic Swiss artist. Photo credits: Fondation Louis Vuitton/Marc Domage.

Espace Louis Vuitton Beijing
China World Shopping Mall South Zone W. Bldg.
1 Jianguomenwai Ave. 
Beijing, China
Open from April 4th – September 26th, 2021

Come into the beautiful world of Louis Vuitton.