Sicily, Bagheria. A mother and her five handsome sons return to their ancient family home, a beautiful yet visibly eroded Sicilian Villa, which they restore to its former glory….
Dolce & Gabbana has united 3 of the most eminent figures in Italian cinema in a film which recounts the inspiration behind the Dolce Rosa Excelsa scent, and celebrates the launch of Dolce Rosa Excelsa with a short film that brings together three of the biggest stars in Italian cinema: director Giuseppe Tornatore, composer Ennio Morricone and actress Sophia Loren.
It was an honour to work with these three masters of Italian cinema who bring our creative vision to life. Sophia Loren embodies Italian beauty across the world. We love Giuseppe’s sensibility, his perception of Sicily is the same as ours, so working with him feels very natural. Ennio Morricone’s music has always been a part of our culture, so it gives the story a celebratory, Italian feel.
Domenico Dolce and Stefano Gabbana
Following the first act, entitled ‘Rinascita’ (‘rebirth’) are acts II and III, called ‘Festa’ (‘party’) and ‘Meravigliosa’ (‘wonderful’) respectively
Rich in symbolism, suggestion and emotions, the new film sees three Oscar winners bring the story of the new female fragrance to life. The Dolce Rosa Excelsa film opens with a determined Sophia Loren, a mother of five sons advancing towards the screen.
Sophia Loren takes the role of the strong female matriarch, leading the restoration of a large Sicilian estate, Villa Valguarnera di Bagheria near Palermo. She is the driving force behind the family and the restoration of their ancestral home, and typically of Loren’s film persona, she proves not to be averse to getting her hands dirty.
Her character is juxtaposed to that of Rosa, played by Dolce & Gabbana testimonial KateKing, who comes into view in the second part of the film, once the restoration is completed. Rosa’s beauty strikes one of Loren’s sons who in a bid to capture her heart, picks the most beautiful rose from the garden and offers it to her.
What comes next is at the base of the inspiration of the fragrance: Rosa being gifted with a rose by the young man is secondary, it is her offering the rose to Loren which bares the most significance. It is a meeting between two women from two different generations. A meeting filled with symbolism, beauty and tradition. A highly-charged cascade of spirit and elegance, the encounter is as timeless as the Rose itself.
Sophia Loren, the 81 year old muse and an icon of womanhood and timelessness, recently had already lent her unforgettable features to Dolce & Gabbana for the campaign of Sophia Loren No.1 Lipstick and continues to inspire the designers and cements her rapport with them with her performance in this film.
The Dolce Rosa Excelsa film opens with a determined Sophia Loren advancing towards the screen. As the mother of five sons she takes the role of the strong female matriarch, leading the restoration of a large Sicilian estate.
The house is restored to its former splendour and the whole town is invited to a party to celebrate. The striking Rosa, played by Kate King, catches the eye of Sophia’s youngest son. Stricken by her beauty. Sophia Loren then joins the others in the garden for the party. Kate approaches and offers her the rose.
It is an encounter between two women from two different generations. A meeting filled with symbolism, beauty and tradition as timeless as the rose itself.
The Dolce Rosa Excelsa film features creative themes and symbolism synonymous with Dolce & Gabbana’s creative vision. This begins with the most fascinating and unique of all flowers, the Rose; a recurrent motif seen throughout Domenico Dolce and Stefano Gabbana’s runway collections and the inspiration for this new scent. Finally, there is the inescapable fusion of tradition and modernity that has always characterised Dolce & Gabbana. The innocence of youth and the wisdom of everlasting values are echoed in the meeting between Kate and Sophia, which brings the film to a close.
Rich in symbolism, suggestion and emotions, the new film sees three Academy Award winners bring the story of the new female fragrance to life: director Giuseppe Tornatore, composer Ennio Morricone, actress Sophia Loren.
Dolce Rosa Excelsa marks the fifth collaboration and on-going relationship between the Designers and Giuseppe Tornatore. While the Oscar winner and 2016 Oscar nominated EnnioMorricone soundtrack ties together the direction, protagonists and inspiration of the film with his signature notes.
Mathis was born in Gilmer, Texas, United States, in 1935, the fourth of seven children of Clem Mathis and his wife, Mildred Boyd, The family moved to San Francisco, California, settling on 32nd Ave. in the Richmont District, where Johnny grew up. His father had worked in vaudeville, they were both professional cooks and cooked all these extraordinary things. When his father saw his son’s talent, he bought an old upright piano for $25 and encouraged him to play. Mathis began learning songs and routines from his father. He spent most of my childhood with my father. He was a singer and played the piano and Johnny was fascinated with him, whereas his brothers and sisters weren’t that interested in music. They were busy doing other things but it was very important to him, he got involved early and extensively in singing in every capacity of my daily life. His dad taught him his first songs, took him fishing, hunting, a lot of outdoor activities, free activities; that was the main thing, it didn’t cost anything. His first song was ‘My Blue Heaven’ Mathis started singing and dancing for visitors at home, at school, and at church functions.
Johnny Mathis (Click photo to enlarge).
When he was 13, voice teacher Connie Cox accepted him as her student in exchange for work around her house. Johnny studied with Cox for six years, learning vocal scales and exercises, voice production, classical, and operatic singing. He is one of the relatively few popular singers who received years of professional voice training that included opera. The first band he sang with was formed by his high school friend Merl Saunders. Mathis eulogized him at his funeral in 2008, thanking him for giving him his first chance as a singer.
Mathis was a star athlete at George Washington High School in San Francisco. He was a high jumper and hurdler, and he played on the basketball team. In 1954, he enrolled at San Francisco State University on an athletic scholarship, intending to become an English teacher and a physical education teacher. The high jump record he set there was only two inches short of the Olympic record.
In San Francisco singing at a Sunday afternoon jam session with a friend’s jazz sextet at the Black Hawk Club, Mathis attracted the attention of the club’s co-founder, Helen Noga. She became Mathis’ music manager, and in September 1955, after Noga had found Mathis a job singing weekends at Ann Dee’s 440 Club, she learned that George Avakian, head of Popular Music A&R at Columbia Records, was on vacation near San Francisco. After repeated calls, Noga finally persuaded Avakian to come hear Mathis at the 440 Club. After hearing Mathis sing, Avakian sent his record company a telegram stating: Have found phenomenal 19-year-old boy who could go all the way. Send blank contracts.
Johnny Mathis (Click photo to enlarge).
At San Francisco State, Mathis had become noteworthy as a high jumper, and in 1956 he was asked to try out for the U.S. Olympic Team that would travel to Melbourne, Australia, that November. Mathis had to decide whether to go to the Olympic trials or to keep his appointment in New York City to make his first recordings. On his father’s advice, Mathis opted to embark on a professional singing career. His first album was released in late 1956 instead of waiting until the first quarter of 1957.
Mathis’s first record album, Johnny Mathis: A New Sound In Popular Song, was a slow-selling jazz album, but Mathis stayed in New York City to sing in nightclubs. His second album was produced by Columbia Records vice-president and record producer Mitch Miller, who helped to define the Mathis sound. Miller preferred that Mathis sing soft, romantic ballads, pairing him up with conductor and music arranger Ray Conniff, and later Ray Ellis, Glenn Osser, and Robert Mersey. In late 1956, Mathis recorded two of his most popular songs: ‘Wonderfull Wonderfull’ and ‘It’s Not For Me To Say’
Also that year, Metro-Goldwyn-Mayer, signed him up to sing the latter song in the movie Lizzie (1957). Shortly afterwards, Mathis made his second film appearance for 20th Century singing the song ‘A Certain Smile’ in the film of that title. He had small acting roles in both movies as a bar singer. This early visibility in two successful movies gave him mass exposure. His appearance on the popular TV program The Ed Sullivan Show in 1957 also helped increase his popularity. Critics called him ‘the velvet voice’. Mathis also appeared during this period on Abc’s The Pat Boone Chevy Showroom, as did fellow African-American entertainers Ella Fitzgerald and Pearl Bailey.
During the summer of 1958, Mathis left San Francisco with the Nogas, who sold their interest in the Black Hawk club that year, and moved to Beverly Hills, California, where the Nogas bought a house.
Johnny Mathis, back at San Francisco State Collegee to help pick ‘Most Beautiful Girl on Campus’. Finalists are front (l-r) Sheila Shelly, and Diane Delgado; rear Carol Jean Childers, Mary Lou Ciranson and Judy Massie (March 1958)(Click photo to enlarge).
He was the first artist to release a ‘greatest hits’ album, Johnny’s Greatest Hits, pioneering the concept in 1958. The album spent an unprecedented 491 consecutive weeks through 1967 (nine and a half years) on the Billboard top 100 album charts, earning him a mention in the Guinness Book of World Records.
Mathis had two of his biggest hits in 1962 and 1963, with ‘Gina’ (#6) and ‘What Will My Mary Say’ (#9).
In October 1964, Mathis sued Noga to void their management arrangement, which Noga fought with a counterclaim in December 1964. Mathis purchased a mansion in Hollywood Hills, which was originally built by billionaire Howard Hughes in 1946, where he still maintains a residence.
After splitting from Noga, Mathis established Jon Mat Records, Inc., incorporated in California May 11, 1967, to produce his recordings (previously, he founded Global Records, Inc. to produce his Mercury albums), and Rojon Productions, Inc., incorporated in California September 30, 1964, to handle all of his concert, theater, showroom, and television appearances, and all promotional and charitable activities. His new manager and business partner was Ray Haughn, who, until his death in September 1984, helped guide Mathis’s career. Since that time, Mathis has taken sole responsibility for it.
While Mathis continued to make music, the ascent of the Beatles and early 1970s album rock kept his adult contemporary recordings out of the pop singles charts, until he experienced a career renaissance in the late 1970s.
Johnny Mathis (Click photo to enlarge).
Johnny Mathis ‘Love Story’ (backside), 1971 (Click photo to enlarge).
Johnny Mathis ‘I’m Comming Home’, 1973 (Click photo to enlarge).
Johnny Mathis ‘The Heart of a Woman’, 1974 (Click photo to enlarge).
Mathis has released eight Christmas albums and his single ‘When A Child Is Born’ has been a hardy Christmas perennial ever since it went to No 1 in 1976.
Johnny Mathis & Diahann Carroll duet the song “You Are So Beautiful” on her show, July 1976
In 1978, Mathis recorded ‘Too Much, Too Little, Too Late’ with singer and good friend Deniece Williams. The lyrics and music were arranged by Nat Kipner and John McIntyre Vallins. Released as a single in 1978, it reached number one on the U.S. Billboard Hot 100 pop chart, number nine on the Canadian Singles Chart and number three on the UK Singles Chart. It also topped the US R&B and adult contemporary charts. ‘Too Much, Too Little, Too Late’ was certified gold and silver in the US and in the UK by the RIAA and the British Phonographic Industry respectively. It was his first number one hit since his 1957 chart-topping ‘Chances Are’.
Johnny Mathis & Deniece Williams with their monsterhit album ‘That’s What Friends Are For’ (Click photo to enlarge).
In 1978, his hit duet ‘The Last Time I Felt Like This’ from the film Same Time, Next Year was nominated for an Acadamy Award for Best Original Song. Mathis and Jane Olivor sang the song at the Academy Awards ceremony, in his second performance at the Oscars.
Johnny Mathis and Deniece Williams released a follow-up duet, ‘You’re All I Need to Get By’, peaking at number 47 on the Hot 100. The success of the duets with Williams prompted Mathis to record duets with a variety of partners, including Barbra Streisand, Natalie Cole, Dionne Warwick, Gladys Knight, Patti Austin, Josh Groban, Jane Oliver, Angela Bofill, Regina Belle, Stephanie Lawrence, Engelbert Humperdinck, Elaine Paige, Nana Mouskouri and his heroine Lena Horne, “She was the most gorgeous, enigmatic, provocative woman I’ve ever seen. I used to hang around at her concerts when I was a kid and after a while her husband started inviting me to her dressing room. I was probably bothersome to her but her husband was kind. He could see I was infatuated.” A compilation album also called ‘Too Much, Too Little, Too Late’, released by Sony Music in 1995, featured the title track among other songs by Mathis and Williams.
Johnny Mathis ‘The Best Days Of My Life’, 1979 (Click photo to enlarge).
Johnny Mathis ‘The Best Of’, 1980 (Click photo to enlarge).
During 1980-81, Mathis recorded an album with Chic’s Bernard Edwards and Nile Rodgers, ‘I Love My Lady’, which remains unreleased in its entirety, though three tracks appeared on a Chic box set in 2010 and a fourth, the title track, on Mathis’ Ultimate Collection in 2011 and the Chic Organization’s ‘Up All Night’ in 2013
1983 Johnny Mathis With Special Guest Natalie Cole Unforgettable A Musical Tribute To Nat King Cole (Click photo to enlarge).
Johnny Mathis ‘A Special Part Of Me’, 1984 (Click photo to enlarge).
Johnny Mathis ‘Right From The Heart’, 1985 (Click photo to enlarge).
Johnny Mathis ‘Christmas eve with Johnny Mathis’, 1986 (Click photo to enlarge).
Johnny Mathis ‘Better Together’ The Duet Album, 1991 (Click photo to enlarge).
Johnny Mathis ‘Because You Loved Me’, 1998 (Click photo to enlarge).
Johnny Mathis has been inducted into the Grammy Hall of Fame Grammy Hall of Fame for three separate recordings, in 1998 for ; Chances Are’ in 2002 for ‘Misty’ and in 2008 for ‘It’s Not For Me To Say’
In 2003, the Academy of Recording Arts and Sciences awarded Mathis the Lifetime Archievement Award. This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artist significance to the field of recording
Mathis returned to the British Top 30 album chart in 2007 with the Sony BMG release The Very Best of Johnny Mathis in 2008 with the CD “A Night to Remember” and again in 2011 with “The Ultimate Collection.
He doesn’t set out to just sing ballads or romantic songs. He was thrilled when his country album ‘Let It Be Me, Mathis In Nashville’ was nominated for a Grammy in 2011.
Singing isn’t work it’s part of me. I don’t do it for any reason other than that I love it. How lucky does that make me?
On June 21, 2014 Johnny Mathis was inducted into the Great American Songbook Hall Of Fame along with Linda Rontadt, Shirley Jones and Nat King Cole (his daughter Natalie Cole accepting the award on his behalf). The awards were presented by The Center for the Performing Arts Artistic Director Michael Feinstein. Defined on their website, “Conceived as an enduring testament to the Great American Songbook, the Hall of Fame honors performers and composers responsible for creating America’s soundtrack.
He has sung for presidents (Bill Clinton, Ronald Reagan) and royalty (Prince Charles, Princess Diana and HH The Begum Om Habibeh Aga Khan who was vèry fond of his voice and music). His CV is undeniably illustrious. He should be cock-of-the-walk confi-dent but he does not come across that way. “As a child all I knew was that people kept asking me to sing and because I liked to please I would sing. It wasn’t until my dad told me that my singing made him happy that I began to think my voice might be good.” When was that? “When I was about 23”.
Nobody can deliver a romantic line quite like the silken-voiced Mathis as his record sales of more than 350 million will attest. When he sings Misty he could melt an Iceberg (Click photo to enlarge).
In an interview in The Guardian (2014) he said: “I think I am as close to some friends as I am to my brothers and sisters. And they are my family. I think it’s important to cultivate as many people as you can to see which ones you jive with. And it makes you happy. If one dies you have another one. So living is a process that you have to do by yourself, and if you can learn a few little goodies along the way that might make it easier for you, so much the better. I’ve found that the more friends I have, the luckier I am!”
I’ve had the privilege to meet Mr. Mathis a couple of times. Not only his beautiful voice impressed me, but certainly his humor, and his kindness. September 30, and over 60 years after winning his first recording contract he is still selling out concert venu, Johnny Mathis has his 80 birthday today, …