Paul Jabara: Last Dance

 

pauljabara_01

Today, twentythree years ago, Paul Jabara died. A name that doesn’t say anything maybe to our youngsters, but hearing songs as ‘It’s Raining Men’ ‘Last Dance’ and ‘No More Tear’s (Enough is Enough)’ would ring a bell…

He Paul Frederick Jabara, was born in Brooklyn, New York on Januari 31, 1948. He was an American actor, singer, and songwriter of Lebanese ancestry, born in Brooklyn, New York City.  – Jabara’s cousin and close friend Jad Azkoul is also a Lebanese-American musician specialising in classical guitar.

Paul Jabara was the only son of Olga and Sam Jabara and was the youngest of three children and had two older sisters, Delores and Claudette. His love of music originated almost from birth, and he entertained his family and their friends as soon as he learned to talk. This multi-talented phenomenon began his career a teenager modeling for magazines and appearing in television commercials. As a teenager, he also auditioned for The Sound of Music and was offered a part in the road company, but his parents wouldn’t allow him to go. His first big break came when he was offered a feature role in the original cast of Hair.

 

Paul Jabara in 'The Day Of The Locust',

Impressionist Paul Jabara cuddles Donald Sutherland as Karen Black and William Atherton are amused in a scene from the film ‘The Day Of The Locust’, 1974. (Photo by Paramount/Getty Images)

In the 1970’s, Jabara was in the Original cast of the stage musicals ‘Hair’ and ‘Jesus Christ Superstar’. He took over the role of Frank-N-Furter in the Los Angeles Production of ‘The Rocky Horror Show’ when Tim Curry left the production to film the movie version in England. He appeard in John Schlesinger’s 1969 film ‘Midnight Cowboy’, as one of the attendees at the counterculture party, and in Schlesinger’s 1975 film ‘The Day of The Locust, where he sang the song ‘Hot Voo-Doo’.

But it wasn’t only acting he did. Jabara released his first album, ‘Shut Out’ in 1977. Jabara’s solo albums on the legendary disco label Casablance Records include three duets with Donna Summer;  ‘Shut Out’ (1977), ‘Something’s Missing (In My Life)’ (1978) and ‘Never Lose Your Sense Of Humor’ (1979).

 

Paul Jabara and Donna Summer ‘Something’s Missing (In My Life)’ This power ballad has also been recorded by Karen Carpenter, Freda Payne and Australian pop royalty Marcia Hines… It’s recorded in several versions, one of them with Summer is featured on Jabara’s CD ‘Greatest Hits and Misses’.

In the 1978 film ‘Thank God It’s Friday’ he played the role of Carl, the lovelorn and nearsighted disco goer, and he also contributed as a singer on two tracks on the original soundtrack album, with the songs ‘Disco Queen’ and ‘Trapped In A Stairway’.

 

Thank God Its Friday Donna Summer Paul Jabara Thelma Houston Diana Ross Movie

Thank God It’s Friday album cover.

 

Donna Summer Last Dance Thank God It's Friday

Donna Summer in ‘Thank God It’s Friday’.

Paul Jabara wrote Donna Summer’s ‘Last Dance’ from ‘Thank God It’s Friday'(1978) and Barbra Streisand’s song ‘The Main Event/Fight’ from the album ‘The Main Event’ (1979).

‘Last Dance’, featured in the film ‘Thank God Its Friday’, earned Jabara a Grammy Award and the 1978 Academy Award for Best Song. Clearly, his music defined an era and continues to keep us all dancing.

paul-jabara-donna-summer

In 1979, Jabara won both Grammy Award for Best R&B Song and the Academy Award for Best Original Song for the song performed by Donna Summer, ‘Last Dance’.

 

Paul Jabara The Third Album

Paul Jabara ‘The Third’ album contains the duet with Donna Summer ‘Never Lose Your Sense Of Humor’, a great song with the typical Jabara/Summer sound!

 

Paul Jabara Donna Summer Never Lose Your Sense Of Humor

Paul Jabara and Donna Summer ‘Never Lose Your Sense of Humor’.

 

Donna Summer Barbra Streisand No More Tears Enough Is Enough Paul Jabara Francesco Scavullo

Donna Summer and Barbra Streisand ‘No More Tears Enough Is Enough’ another monster hit for Paul Jabara (Photo’s by Francesco Scavullo).

1979 was an amazing year for Jabara and Summer. Disco’s big finish in 1979, who could ask for a bigger finish of the greatest era of dance music? The ‘Disco Queen’ and Barbara Streisand together working Paul Jabara’s magic together. This cut was a power house, anyone who experienced the energy that this cut created when it was released will never question it’s reign. Casablanca Records has definitely made a place in music history with this on. The song was a hùge Platinum-certified, #1 Billboard hit.

 

At right, songwriter Paul Jabara (1948-1992), at the premiere of Bette Midler's movie, THE ROSE, 1979

At right, songwriter Paul Jabara, at the premiere of Bette Midler’s movie, ‘The Rose’, 1979 

1981 Jabara starred in yet another John Schlesinger film, the comedy ‘Honky Tonky Freeway’ as truck driver/songwriter T. J. Tupus, hauling lions and a rhino.

Composing myriad hit songs, his credits include many platinum and gold records. He is also known for: ‘Jinxed’ (1981), written for Bette Midler and her movie of the same name, but it was never commercially released. ‘Work That Body’ (1982) a modest hit for Diana Ross. The hit single is included on her Platinum album ‘Why Do Fools Fall In Love’.

He co-wrote The Weather Girls (Sylvester’s former background girls, the Two Tons of Fun: Martha Wash and Izora Rhodes) monster hit ‘It’s Raining Men’ together with Paul Shaffer, which was also recorded by Geri Halliwell and a worldwide hit for the second time in 2001.

The former Two Tons of Fun: The Weather Girls (Matha Wash and Izora Rhodes) with their monster hit ‘It’s Raining Men’ (1984).

Jabara’s album ‘Paul Jabara & Friends’, released in 1983, features guest vocals by a then 20-year-old Whitney Houston on Eternal Love. It also includes the song ‘It’s Raining Men’. An other song Jabara wrote to perform include ‘  Two Lovers’ for Julio Iglesias (1984).

Jabara received many awards for his work throughout his lifetime. Jabara had been honored for creativity and excellence winning numerous awards including The Oscar; Grammy; Golden Globe; People’s Choice Award; Your Choice for the Oscar and many others giving him global recognition.

It has been reported that Jabara co-founded the Red Ribbon Project in 1991, and was credited with conceiving and distributing the first AIDS Red Ribbons. This highly recognized symbol spawned the use of different colored ribbons to quickly raise awareness to other causes and is widely used today.

Paul Jabara died of complications from Aids at the age of 44 in Los Angeles on September 29, 1992. He is buried at Greenwood Cemetery in Brooklyn, New York. As a tribute at his memorial service, his friends and collaborators got together and performed a song he wrote entitled, We’re Gonna Win. Later recorded by long-time friend Donna Summer.

Martha Wash, one of the original members of The Weather Girls, re-recorded several years later, together with drag supermodel RuPaul the It’s Raining Men. Again, it became a huge hit! Like it also was for ex-Spice Girl, Geri Halliwell.

 

A Hot Jabara Night 2012 Paul Donna Summer

‘A Hot Jabara Summer Night’ 2012

In 2005, a workshop of a musical entitled Last Dance played New York City. It was a musical assembled from Jabara’s well known disco songs and told the story of a modern day teenager who goes back in time to spend one night at Studio 54.

Paul Jabara’s music lives on. Not only ‘the big names’ in the industry still performing his songs. Every season of Idols or .. Got Talent, we can here some of his songs performed by the ‘new’ artist. We hear his music still in films, and in clubs, and sometimes in the most fantastic long versions or remixes. Yes, it’s still a Hot Jabara Summer Night then. And it will always be……

by Jean Amr

 

 

 

 

Sylvester, he made us feel mighty real

Sylvester James Soul Blues Disco Queen Yakymour

Sylvester

Today we remember and honors the memory of the Original disco diva Sylvester who would have been 68 today. Sylvester James, Jr. (September 6, 1947 – December 16, 1988), better known as Sylvester, was an American disco and soul singer-songwriter, known for his (vèry) clear high voice (occasionally a rich baritone voice), and flamboyant and androgynous appearance. He was often described as a drag queen, although he repeatedly rejected such a description. He was ‘just’ Sylvester!

There’s little doubt of the lasting cultural influence Sylvester had on Disco and HI NRG Dance music of the 70’s and 80’s or how strains of his genius continues to ripple through today’s music. His sound has inspired artists in both style, uncompromising creativity and sampled to fuel their own endeavors.

Sylvester James found his way to San Francisco in 1969 from his hometown of Watts in LA where he’d been raised within the confines of his local AME baptist church choir, and as one of his mother’s most cherished children. His grandmother was the jazz singer Julia Morgan. Living in San Francisco, he performed in a production called Women of the Blues, where he was singing songs of Billie Holiday, Lena Horne and his grandmother.

Upon arriving Sylvester found kindred, outside the box, spirits in San Francisco, most notably with SF’s Queer, gender bending, premier tripping, glitter doused, drag/theatre troupe The Cockettes. His vocal stylings of Blues greats Josephine Baker and Billie Holiday standards brought down the house when he opened for many of the Cockettes wildly chaotic and grand productions. He worked with them until after their infamous New York City debut and disappointingly short Broadway run. Sylvester decided that he wanted to buckle down and get serious. Now was the time to work on his own vision of his music.

In 1972, Sylvester supplied two cuts to Lights Out San Francisco, an album complied by the KSAN radio station and released on the Blue Thumb label. In 1973, Sylvester & his Hot Band released two rock-oriented albums on Blue Thumb (their self-titled debut was also known as Scratch My Flower (due to a gardenia-shaped scratch-and-sniff sticker adhered to the cover).

Sylvester Hot Band Bazaar Scratch My Flower Yakymour

Sylvester’s falsetto alone evoked a universe of timeless, idiosyncratic talents and influences,” writes Brian Chin in the package’s liner notes of the ‘Sylvester and the Hot Band’ cd, it’s so true hearing ‘God Bless The Child’ 

Before disco, before ‘You Make Me Feel (Mighty Real)’ and ‘You Are My Friend’ 25-year-old Sylvester emerged from the underground scene in San Francisco with a longhaired rock band, recording two influential albums for Blue Thumb Records. Infused with a love of the blues, a deep emotional connection with Billie Holiday and a flair for flamboyance, the Sylvester and his Hot Band tackled with boundless energy a dizzying sampler of American music, from Neil Young to Ray Charles, from James Taylor to ‘My Country ’Tis Of Thee’. His version of ‘God Bless The Child’ is memorable! A musical treasure! The kind of music he loved more then disco!

Sylvester was a sweet individual who had the talent to take you to the dance floor, then take you to church, and bring you back to the dance floor without you knowing.

Signed a solo act to Fantasy Records in 1977, and working with the production talents of legendary Motown producer Harvey Fuqua. His third album, self titled, ‘Sylvester’, the first with his new, East Bay based label, Fantasy, was vèry well received by critics as his fans.

Sylvester, vèry rare live performance, ‘Stormy Weather’

Later Sylvester collaborated with singer, writer and producer, Patrick Cowley, another, out, popular and rising star of the San Francisco, HI NRG, Disco sound scene. Patrick later co-founded the much respected Megatone Records, along with Marty Blecman. They created the so called ‘Megatone’ sound. A true Hit machine with artist like Paul Parker, Jeanie Tracy and Sarah Dash. On many of their hits you hear Sylvester’s voice as backing vocal.

Head way came when Sylvester and the boys enlisted the talent of two amazing singers whose background were, like Sylvester’s own, deeply rooted in the experience of the Gospel music. Martha Wash and Izora Armstead, collectively became his muses, best friends and back up singers he lovingly dubbed The Two Tons of Fun. These women were the last pieces of the puzzle Sylvester had been searching for to help create the perfect sound that’d thrust him and his music onto the world’s exploding Disco stage.

1978 Sylvester Step II

Sylvester, Step II (Click photo to enlarge)

Cowley’s synthesizer and Sylvester’s voice proved to be a magical combination, and pushed Sylvester’s sound in an increasingly dance-oriented direction. This resulted in 1978’s his fourth album, Step II, Sylvester’s perfect alchemy of music, rhythm, talent and timing paid off spawning two big hits ‘You Make Me Feel, Mighty Real‘ and ‘Dance Disco Heat‘. And some amazing beautiful soulful ballads.

Performing ‘Dance Disco Heat’ and ‘You Make Me Feel Mighty Real’, Ohhh this boy could sing! Sylvester was amazing to work with …really talented, a pro in every sense of the word! Wow….As Cherrill says “In time they will be regarded as nostalgic reflections of the disco era” …and as we now know they are!

When Sylvester was invited to appear at the Stars party at the Embarcadero in May 1978 he was inspired to write the song Stars to celebrate the event. Stars was a huge disco extravaganza and set the standard for future parties in San Francisco. When you purchased your ticket for Stars you were given a can. After using a can opener to get to your ticket you also found a poster a brochure and a T-Shirt, quite a package! It was just one month before the Stars party when Sylvester and Patrick Cowley sat down and composed the song for the event.

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Sylvester, Stars, 1979 

In 1979, after two million selling albums, Sylvester and friends Marha Wash, Izora Rhodes, Jeanie Tracy, Patrick Cowley performed live at the War Memorial Opera House in San Francisco. It was the first time èver in music history that a non-classic singer performed, with the whole orkestra, a concert on stage in an Opera House. Singing not only his hitsongs, but also some beautiful standards, like Thelma Houston’s beautiful ‘Sharing Something Perfect Between Ourselves’. Recorded live, the album contains many live songs from the concert, and also two studio recordings: Can’t Stop Dancing and In My Fantasy.

Sylvester Living Proof

Sylvester, Living Proof, 1979 Live recorded at the San Francisco War Memorial Opera House, as first ‘non-classic’ act ever. Sylvester absolutely set the stage and paved the way for all the rest … in many many ways.

The voice of dance music Sylvester and the Two Tons of Fun (Martha Wash and Izora Rhodes) performing live ‘Can’t Stop Dancing’

 

Sylvester Bete Midler The Rose Yakymour

Sylvester Bete Midler The Rose Yakymour

1979 brought three Billboard awards and an appearance in the movie, The Rose, starring Bette Midler. Memorable: performing with Bette Midler ‘The Fire Down Below’.

 

1980 Sylvester Sell My Soul

Sylvester Sell My Soul, 1980

 

1981 Sylvester Too Hot To Sleep

1981 Sylvester Too Hot To Sleep 

 

1981 Sylvester Too Hot To Sleep 2

1981 Sylvester Too Hot To Sleep (second cover) 

 

Disco star Sylvester performs on the stairs at Greg’s Blue Dot in Hollywood, a popular gay club back in 1981. He is introduced by owner Greg Hammond

With the success of these world wide hits came more time under the often harsh and conservative public spotlight. Sylvester kept his unabashed flame on high whether performing for the very white, afternoon, talk show, television circuit  or for a writhing throng of his adoring people at San Francisco’s largest dance club, The Trocadero.

Sylvester eventually left Fantasy Records joining forces with his friend and Dance music mentor, Patrick Crowley and his partner Marty Blecman, at Magatone Records ensconced in the Castro on Noe Street. Sylvester and Megatone created four more albums and the mega huge, infectious dance track ‘Do You Wanna Funk?’

1982 Sylvster All I Need

Sylvester, All I Need, 1982 with the hits ‘Do You Wana Funk’, ‘Don’t Stop’ and ‘Be With You’ 

Sylvester’s ‘girls’, the Two Ton’s of Fun, transformed as well, as The Weather Girls, whose smash hit, ‘It’s Raining Men’ continues, like Sylvester’s songs, to be played the world over.

In 1982, Patrick Crowley tragically died, during those very early days in the Age of AIDS, not long after he founded Megatone Records, and the huge succes of the album ‘All I Need’, his own album ‘Mind Warp’, and Paul Parker’s ‘Too Much To Dream’  with the mega-hit ‘Right On Target’. Sarah Dash her album was sadly not finnished. Only two songs were released, “Low Down Dirty Rythem’ and ‘Lucky Tonight’ together with background vocals by Sylvester and Jeanie Tracy.

1983 Sylvester Call Me

Sylvester, Call Me, 1983

 

1984 Sylvester M-1015

Sylvester M-1015, 1984 with dance hits ‘Rock The Box’, Take Me To Heaven’ and the amazingly beautiful ballad ‘Shadow Of A Heart’ 

 

Jim Gilstrap, Vicki Randle, Jeanie Tracy, Sylvester

Jim Gilstrap, Vicki Randle, Jeanie Tracy and Sylvester had a great time during the Aretha sessions, 1985 

Doing background vocals before, in 1985, one of his dreams came true as he was summoned to sing back-up vocals – together with best-friend Jeanie Tracy – for Aretha Franklin on her Who’s Zoomin’ Who comeback album.

As the panic and reality around the pandemic gained steam-cutting down man after man in his prime during the eighties Sylvester worked tirelessly on many AIDS benefits, many times together with Joan Rivers, long before others did. He help raise much needed funds and awareness about the disease until his own HIV infection began to take it’s toll.

His sole Warner Bros. album was Mutual Attraction in 1986 and gave us some great songs, like the million sellers ‘Someone Like You’, ‘Sooner or Later’ and the tittle song ‘Mutual Attraction’. The 12-inch single of ‘Somene Like You’ featured an Original cover art by Keith Haring.

1986 Sylvester Mutual Attraction

Sylvester, Mutual Attraction, 1986  

Sylvester’s last public appearance was at the Castro Street Fair in October of 1988. The MC on the main stage introduced him pointing up to where he sat on his apartment balcony overlooking the Fair action at Castro and Market. The crowd, numbering in the tens of thousands, gave him a rousing ovation that lasted for nearly 15 minutes. People openly wept realizing, as he frailly waved to the crowd from his wheelchair, soaking in the love that showered down on him. Most realized in all likelihood this would be the last time any of us would ever see our hero.

Sylvester died two months later at the age of 41 on December 16th, 1988. His good friend Jeanie Tracy took care of Sylvester during his last days.

After his death, Megatone Records launched Immortal, the unfinnished album. Pressure from the label to ‘butch up’ his image would result in him attending meetings in full-on drag. A drag photo shoot, which he staged and presented to label heads as a gag (calling it his ‘new album cover’) would later grace the cover of Immortal after Sylvester died; it was the label’s way of paying tribute to his spirit.

1989 Sylvester Immortal

Sylvester, Immortal, 1989 His ‘unfinnished’ last album

 

Sylvester Megatone Records Yakymour

In the late 1990’s, performance artist Djola Branner (co-founder of the highly influential Pomo Afro Homos troupe) created his acclaimed solo piece and CD Mighty Real around the life of Sylvester. On September 20, 2004 Sylvester’s anthem record, You Make Me Feel (Mighty Real), was inducted into the Dance Music Hall of Fame. A year later, on September 19, 2005, Sylvester himself was inducted into the Dance Music Hall of Fame for his achievement as an artist. In 2005, a biography written by Joshua Gamson and titled The Fabulous Sylvester: The Legend, The music,

Till today, we hear Sylvester’s songs in clubs and on the radio. Many of them are timeless. Also populair by other great artist like Jimmy Somerville and Jason Walker

Jimmy Sommerville performing live ‘You Make Me Feel (Mighty Real) at les années bonheur de Patrick Sébastien. He makes us feel mighty real!!

Sylvester and Patrick Cowley’s ‘I Need Somebody To Love Tonight’ sung by ‘wonderboy’ Jason Walker 

by Jean Amr