Love Me Like You Should

Disco icon Sylvester may best be known for the international hit singles ‘You Make Me Feel (Mighty Real)’, ‘Dance (Disco Heat)’, ‘Do You Wanna Funk’ and ‘Menergy’, but the recording artist’s groundbreaking career also furthered queer visibility in popular culture. Leaving a legacy that continues to influence today’s pop music.

Through the compelling new documentary ‘Love Me Like You Should: The Brave and Bold Sylvester’, produced for Pride 2020 by Amazon Music in collaboration with filmmaker Lauren Tabak and writer/consulting producer Barry Walters. The short documentary details the life and times of Sylvester James Jr., known mononymously as Sylvester.

When I saw Sylvester, my life was altered, my life was changed for the better. As a Black queer gay man, any glimmer of seeing oneself reflected back at them, through our culture, changes lives.

Billy Porter

The legacy of a musician who set new precedent for genderqueer, gay and black entertainers has been revisited the new mini-documentary. Sylvester’s story comes to life once more and the true extent of his impact – inside and out of the music industry – is explored.

It is a compilation of archival footage, as well as rare performance clips, charting Sylvester’s rise from Los Angeles choir boy to glam 1970s hit-maker. Starting with his birth in South Central Los Angeles, it charts the course of his move to San Fransisco’s Castro District and later breakthrough as a singer/songwriter.

He crossed over, he was a genderfluid Black man in mainstream music. That hasn’t happened since. There’s been a lot of us who have tried – and I’ve been trying for 30 years – nobody did it like Sylvester.

Billy Porter

While the significant influence of black culture on mainstream music extends back at least a century, James was among the first non-binary artists to achieve superstardom. As pointed out in the documentary, he championed gender fluidity years before it would be called that through his unapologetic style and demeanor.

The filmmakers also incorporate interviews with Sylvester’s sister Bernadette Baldwin, singer, actor and activist Billy Porter as well as collaborators like musician Peter Mintun, producer/songwriter James ‘Tip’ Wirrick, former background singer Martha Wash (Two Tons of Fun/Weather Girls), and Sylvester biographer Josh Gamson.

Sylvester was always ahead of us. He did things like talk about being married to a man before gay marriage was a thought. He responded to Joan Rivers saying that he was this drag queen by saying, ‘But I’m not a drag queen, I’m Sylvester.’ He wasn’t saying there’s something wrong with being a drag queen, he was saying that’s not how gender works. It was gender fluidity and nonbinary gender before we were really there.

Josh Gamson

In addition to interviews, and with his version of ‘God Bless The Child’ on the bacjground, – its is musical treasure! The kind of music he loved more then disco! – the 15-minute doc shows rare archival footage of Sylvester, including performances at The Stud, the historic San Francisco gay bar that recently shuttered. It also depicts how a 1979 show at the San Francisco War Memorial Opera House was a healing, joyous moment for the city in the wake of the assassination of gay politician Harvey Milk.

Sylvester died at the age of 41 on December 16th, 1988 after a long battle of an AIDS-related illness. He had attended the San Francisco Pride parade in a wheelchair shortly before passing on to show solidarity even in his final years. His legacy, however, continues to live on…..

Watch the 15-minute documentary:

Amazon has also curated a playlist called Pride History on which ‘You Make Me Feel (Mighty Real)’ is an entry.

Want to read the whole story of Sylvester? Use the ‘Sylvester’ tag….

Sylvester at War Memorial Opera House

‘You make me feel, mighty real!’ Oh, how that lyric line sung by Sylvester, the Queen of Disco Sylvester over a gospel-tinged disco beat made those who heard and danced to it truly feel mighty. That one line can sum up the impact Sylvester had on a generation of club kids, an era of music.

Sylvester and The Two Tons of FunSylvester and his girls Martha Wash and Izora Rhodes performing live at War Memorial Opera House 

November 27, 1978, San Francisco was mourning of the killing of Supervisor Harvey Milk and Mayor George Moscone by Dan White, a member of the San Francisco Board of Supervisors. That evening, a spontaneous gathering began to form on Castro Street, moving toward City Hall in a candlelight vigil. Their numbers were estimated between 35,000 and 40,000, spanning the width of Market Street, extending the mile and a half (2.4 km) from Castro Street.

The next day, the bodies of George Moscone and Harvey Milk were brought to the City Hall rotunda where mourners paid their respects. Over six thousand mourners attended a service for Mayor Moscone at St. Mary’s Cathedral. Two memorials were held for Milk; a small one at Temple Emanu-El and a more boisterous one at the War Memorial Opera House.

Sylvester and Harvey Milk

Sylvester & Harvey Milk

March 11, 1979,  Sylvester, and his girls Martha Wash, Izora Rhodes, Jeanie Tracy and Sharon Hymes, together with a large band, and the complete 26-piece San Francisco Symphony Orchestra blew of the roof of the 3,000-seat sold out War Memorial Opera House. San Francisco where Sylvester wore the moniker of the Queen of the Castro alongside his Disco title, he blends all the colors in his musical palette into a work of remarkable imagination and spirit.

A genuine original, he was the vèry first ‘modern’ artist to perform in a classic Opera House, he was one of that special breed of performers who come fully to life onstage, who have the unfailing instincts to ignite an audience with sophistication, sass, and style. In a business where clones abound, Sylvester was the real thing.

Sylvester-1979-live-in-concert-gay-anthems-1548

When asked about heroes, Sylvester is the first on lips of gay men who went out dancing in the 1970’s. Sylvester embodied the disco fantasy in wich race and gender lose their relevance.

Sylvester treated attendees to ballads, covers and medleys, in addition to Sylvester’s own hits. His falsetto sound was a mix of male and female voice. Most intriguing about the venue was the sheer range of material being performed. Sylvester covered everything from the Beatles ‘Blackbird’ to Billie Holiday’s ‘Lover Man’ to Barry Manilow’s ‘Could It Be Magic’. Sylvester’s reinterpretations of Thelma Houston’s Sharing Something Perfect Between Ourselves and Patti LaBelle’s ‘You Are My Friend’ where the standout of the show as it showcased the genius interplay Sylvester, Rhodes, Wash and Tracy utilized in their live performances. Everybody sang along to the ballad version of You Make Me Feel (Mighty Real) at the end of the concert….  These last three songs where much more then just ‘beautiful songs’ in a time of the city’s mourning. There tittle’s say more then enough….

However, Sylvester’s celebratory music was the voice of gay pride. In bars, clubs and concert halls, Martha Wash, Izora Rhodes backed him. The night after his historical sold-out Sylvester Concert at the War Memeorial Opera House on March 11, Mayor Diana Feinstein declared it Sylvester Day and presented him the key to the city. The people where still mourning, but the Queen of Castro was their new hero, if he wasn’t already!

Sylvester performing live, together with the Two Tons Of Fun, ‘Can’t Stop Dancing’

The Opera House gig was recorded, and subsequently released as a live double album, called Living Proof. The album contained a typically eclectic mix of blues, disco, funk and beautiful ballads. Sylvester feld that Living Proof, is “the best representation of what people had been writing about me since the day I started performing. All the energy is there”.

Living Proof present Sylvester at a key point of transition in his career where he is moving more toward his soul and cabaret roots, and paying homage to the disco that took him over the top. It is also a few years before he would go on to define NRG music.

On the double album are two studio recordings: ‘Can’t Stop Dancing’ and ‘In My Fantasy’. ‘Can’t Stop Dancing’, a single released from this album, was a huge hit in the disco clubs.

Sylvester Living Proof

  • Sylvester (lead vocals)
  • Martha Wash and Izora Rhodes (Two Tons of Fun) (background vocals)
  • Jeanie Tracy (background vocals)
  • Sharon Hymes (background vocals)
  • Eric Robinson (background vocals)

The songs:

  • Overture: Grateful, You Make Me Feel (Mighty Real), Dance (Disco Heat)
  • Body Strong
  • Blackbird
  • Medley: Could It Be Magic (Eric Robinson), A Song For You
  • Happiness
  • Loverman, (Oh Where Can You Be)
  • Sharing Something Perfect Between Ourselves
  • You Are My Friend
  • Dance (Disco Heat)
  • You Make Me Feel (Mighty Real): dance version/slow gospel version

The band:

  • Patrick Cowley (Synthesizer)
  • Eric Robinson (Keyboards)
  • Michael Finden (Keyboards)
  • Tip Wirrick (Guitar)
  • Bob Kingson (Bass)
  • Kevin Dixon (Drums)
  • Richard Kvistad (Timpani)
  • David Frazier (Percussion)
  • Gus Anthony Flores (Percussion)
  • Dean Boyson (Trumpets)
  • Ross Wilson (Trumpets, Trombones)
  • Dan Reagan (Trombones)
  • Marc Baum (Saxaphones, Flutes)
  • Jay Stolmac (Saxophones, Flutes)
  • and the ‘San Francisco Symphony’

Two months after the concert, on May 21, 1979, thousands of members of San Francisco’s predominantly gay Castro District community took to the streets to protest the lenient sentence received by Supervisor Dan White for the murders of local politician and gay rights activist Harvey Milk and Mayor George Moscone. Their anger–combined with the actions of police who arrived to quell the scene–soon boiled over into rioting. The resulting violence affected San Francisco’s LGBT community for decades to come.

Sylvester’s voice helped foster that fight… ‘Everybody is a Star!’

by Jean Amr

 

Lady’s and Gentlemen: Miss Martha Wash!!

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 Love Always! Martha Wash

For over 40 years, Martha Wash has kept people on their feet as the Queen of dance music, dominating the genre with a gospel-infused voice that fueled a string of Top 10 hits.

Martha Wash began her music career as a backing singer for Sylvester. With fellow backing singer Izora Rhodes, she was half of Two Tons of Fun who would later be renamed The Weather Girls. As such, they were responsible for providing much of the firepower behind several of Sylvester’s earliest releases. Especially the voices of Martha and Sylvester fit perfect, and they where an amazing team.

1979-sylvester-stars

 

Sylvester, ‘Stars’ with the hit’s ‘Can’t Stop Dancing’, gay anthem and tittle song ‘Stars’, and the Lieber and Stoller classic ‘I Who Have Nothing’ (Martha Wash recorded the song later together with Luther Vandross as a beautifull ballad).

After Sylvester’s hit album’s Step II, with the mega hits ‘You Make Me Feel (Mighty Real), ‘Dance (Disco Heat)’, and his album ‘Stars’ Sylvester wanted something different, something special.

With the San Francisco Symphony, his own band with Patrick Cowley, and Martha Wash, Izora Rhodes, Jeanie Tracy, Sharon Hymes and Eric Robinson as background singers, Sylvester gave a sold out, black tie concert at the San Francisco War Memorial Opera House, as the first ‘non-classic’ act ever held in an Opera House.

Sylvester Martha Wash Izora Rhodes Jeanie Tracy Two Tons Of Fun Living Proof

Sylvester, ‘Living Proof’, 1979 Live recorded at the San Francisco War Memorial Opera House, as first ‘non-classic’ act ever. Sylvester absolutely set the stage and paved the way for all the rest … in many many ways.

After singing some of his classics, they perfomed Thelma Houston’s beautiful ballad ‘Sharing Something Perfect Between Ourselves’ a song where Sylvester and Martha’s voices fits perfect together: Sharing something perfect! The song was followed by Patti Labelle’s classic, ‘You Are My Friend’! While singing this song, it was a good reason for Sylvester to introduce his girls: “Everything I èver needed, was here right all the time”. “You see..these girls: Martha and Izora. I met them three years ago”. “We had our first rehearsel in a Volkwagen on our way to Marin county. And these girls have stuck with me all through èverthing yah, and they are here right now, and I want you to know that! You see… I don’t know if you all have noticed or not, but these women could sing yahh! ….Honey, your ear has to bé in your foot! Tonight here these women could sing! They don’t need these dresses! They don’t need that juwellery! They don’t need that hair! These women could sing yah!! Now folks, seeing is believing… right? I told you everything I could tell yeah… now it’s them to entertain……”

And they did!! Three voices that fit sóo perfect! They blew of the roof. Especially Martha Wash showed the world what she could! Not only on record she sounds clear. But live even better!

Sylvester and The Two Tons of Fun

Sylvester, on stage with the Two Tons of Fun. Martha Wash (left) and Izora Rhodes (right).

…and fun they had!

Martha Wash Izora Rhodes Two Tons Of Fun Patrick Cowley

Friends forever: Martha Wash and Izora Rhodes as the Two Tons of Fun. Their first album, with the hits ‘Earth Can Be Like Heaven’ and ‘Get The Feeling’.

Martha Wash Izora Rhodes Two Tons Of Fun Patrick Cowley I Got The Feeling

Typical Patrick Cowley sound ‘Get The Feeling’.

When they left to pursue a career on their own, they achieved success with a handful of disco-oriented tracks, like ‘Earth Can Be Like Heaven’ and ‘Get The Feeling’, both with Partick Cowley, culminating in the 1982 release ‘It’s Rainging Men’, Written and produced by Paul Jabara and who wrote a lot of great dance anthems like Donna Summer’s ‘Last Dance’ and Donna Summer and Barbra Streisand’s ‘No More Tears (Enough Is Enough)’.

‘It’s Raining Men’ a worldwide hit that peaked at No. 2 on the UK Single Chart, No. 1 in Australia, No. 1 on the Euro Hot 100, No. 46 on the Billboard Hot 100, No. 34 on the U.S. R&B chart, and No. 1 on the U.S. Hot Dance Club Play chart. It reached the top ten in numerous other countries. ‘It’s Raining Men’ receives regular play in dance clubs and R&B radio to this day: it stands as one of the classic songs of the late-disco and Hi-NRG era. The Weather Girls scored moderate, lesser-known hits with ‘Dear Santa (Bring Me a Man for Christmas)’ and ‘No One Can Love You More Than Me’ in 1985.

 

The Weather Girls Martha Wash Izora Rhodes

The Weather Girls ‘Succes’, 1982

The former Two Tons of Fun: The Weather Girls (Matha Wash and Izora Rhodes) performing life at The Tube their monster hit ‘It’s Raining Men’ And fun they had! (1984).

The 80’s, and 1990’s brought a lot of succes. But also a lot of sadness. In 1982, Patrick Cowley tragically died, during those very early days in the Age of AIDS, not long after he founded Megatone Records. But not only Patrick Cowley died, many friends and people in the industry, passed away in that time. Like singer Frank Loverde (Die Hard Lover) and Paul Jabara (1992). As the panic and reality around the pandemic gained steam-cutting down man after man (and woman!) in its prime during the eighties Martha Wash worked tirelessly on many AIDS benefits. She helps raise much needed funds and awareness about the disease.

Later, when the Weather Girls disbanded, Wash continued to lend her vocals to various dance and ‘house music’ tracks. Several of them became massive pop, R&B and dance hits. She sang lead vocals on all three of Black Box’s U.S. top-forty hits, including the top-ten smashes ‘Everybody Everybody’ and ‘I Don’t Know Anybody Else’ as well as ‘Strike It Up’. But when the music videos for these songs were released, Martha was nowhere to be found, as imposters lip-synched her greatest hits however, she was not featured in any of the music videos as it was customary for Katrin Quinol, a French model, to be used to lip-sync the lyrics. All three of these hit singles (still!) continued to receive regular club-play and mainstream radio airplay as of late April 2010. In addition, Wash sang lead vocals on the lesser-known Black Box tracks, ‘Fantasy’, which charted at No. 5 in Great Britain, ‘Open Your Eyes’, and ‘Hold On’. All six of these songs appear on the Black Box album ‘Dreamland’. Also, she performed uncredited lead vocals on Seduction’s ‘You’re My One And Only (True Love)’, and the lead vocals on C+C Music Factory’s ‘Gonna Make You Sweat (Everybody Dance Now)’ which hit No. 1 on the Billboard Hot 100 in 1991.

C & C Music Factory and Martha Wash performing Do You Wanna Get Funky?

In reaction to her lack of credit on a number of successful dance songs, and exclusion from their accompanied music videos, Wash sued Black Box label RCA to receive proper credit and appropriate royalties as the vocalist on all of these songs. In an out-of-court settlement, made in December 1990, Martha Wash received financial compensation and a recording contract from RCA, as well as a guarantee to be properly credited for her work in recordings. Wash later sued Clivilles and Cole, the producers for C+C Music Factory, along with the C+C record label Sony for ‘fraud’, deceptive packaging and commercial appropriation’, with $500,000 in damages; all parties settled by 1994. As a result of the settlement, Sony made an unprecedented request to MTV to add a disclaimer that credited Wash for vocals and Davis for ‘visualization’ to the ‘Gonna Make You Sweat’ music video, and a performance in the the video clip ‘Do You Wanna Get Funky’.

Under RCA, Wash released her solo debut album in 1992, with a cover photo só beautiful. The album scored three top ten club/dance hits including ‘Carry On’ and ‘Give It to You’, both of which reached number one.

Martha Wash CD

 Martha Wash first solo album.

Martha Wash Carry On

Martha Wash ‘Carry On’.

In 1994, Wash covered Jean Knight’s ‘Mr. Big Stuff” for the soundtrack of the film Disney’s ‘D2: The Mighty Ducks’. Two years later, in 1996, she recorded a cover version of Elton John’s ‘I’m Still Standing’ for the soundtrack of the film ‘The First Wives Club’. Also in 1996 she recorded with a duet with longtime friend Jocelyn Brown the single ‘Keep On Jumping’. And that was what they did in clubs worldwide. A year later there was an other Todd Terry single: ‘Ready For A New Day’ and ‘Somethin Going’ On’. And 1997 she gave us alo a great duet with RuPaul singing…. ‘It’s Raining Men’. It became, again, a mega hit.

Martha Wash and Jocelyn Brown

Always to be found for charity, she was asked for the ‘Small Voices, Sounds Of A Better World’ project, in 1999. The tittle of the song says it all: ‘Listen To The People (Listen To The Sound of a Better World). In 2011 the song was used for the Arabian Spring movement, for more freedom, human rights and democraty. The single contains some great versions of this timeless song.

Small Voices Martha Wash CD Listen To The People

Small Voices Calling – Feat. Martha Wash, Listen To The People (Listen To The Sound of a Better World), 1999

Martha Wash, considered a gay icon since The War Memorial Concert in 1979 a few months after the vey Harvey Milk, continues to record new music into the 21st century such as her first new single in more than 5 years, ‘You Lift Me Up’, a fusion of gospel and house, which is the first song produced on her own label, Purple Rose Records in 2005. Wash performed in the opening ceremony of the World’s first ‘Out Games’ in Montreal in July 2006 and she performed at numerous Human Rights Campaign events in the U.S. The gay-themed podcast Gay Pimin’ with Jonny McGovern dedicated an episode to Wash and she obliged them with an extended telephone interview.

In 2006 Wash appeared as a guest on GSN’s ‘I’ve Got A Secret’, and performed ‘It’s Raining Men’ for the all-gay panel.

DJ Tony Moran’s compilation CD ‘The Event’ featured a single featuring Martha entitled ‘Keep Your Body Working’. It reached No. 1 on Billboard’s Hot Dance Club Play chart for the week ending December 22, 2007.

Martha Wash CD I've Got You

Martha Wash ‘I’ve Got You’ (Click photo to enlarge).

Martha Wash ‘Ive Got You (Official Music Video), 2011

She was a performer at the annual Big Gay Day in Brisbane, Australia on March 9, 2008 and she also performed at the Chicago Gay Pride Street Fest on June 28, 2008, at the Nightingale as part of the Birmingham, England, Bank Holiday festival on August 23, 2008, at Washington, DC Capital Pride on June 14, 2009, and at the Opening Ceremony of the NAGAA Gay Softball World Series in Milwaukee, WI on August 31, 2009. In April 2011, the song and accompanying music video for the song ‘I’ve Got You’ were released. On Oct. 1, 2012, she was on ‘The Late Show with David Letterman’ celebrating the 30th anniversary of the release of ‘It’s Raining Men’, where she ‘blew of the roof’ this classic with Paul Schaffer, six back-up singers, three female dancers and three male acrobats descending from the sky.

In January 2013 Martha Wash released a solo album ‘Something Good’. The album, which has largely garnered very positive reviews, opens with the rock-oriented ‘Alright’, then moves on to the ballad, ‘Destiny’. There are a mere eight tracks on this album, which might put off some potential buyers, but every song is a winner. Quality, people! Pure timeless quality! Martha Wash is a two-time Grammy Nominee, known for her distinctive and powerful dramatic soprano voice. Ms. Wash has been dubbed ‘The Queen of Clubland’ due to her ongoing success in the dance music genre. Martha’s fame would have made her mentor, the late disco pioneer Sylvester, proud. Vèry proud!

Martha Wash CD Something Good

Martha Wash ‘Something Good’.

 

For Martha Wash, it certainly is her time to shine!

The ballad ‘Proud’ is particularly heartbreaking and beautiful; the lyrics reminding me a bit of Bette Mider’s ‘To Deserve You’,   Martha’s cover of Aerosmith’s ‘Dream On’ is a surprise, and wonderfully covered by old girl. Her second single ‘It’s My Time’ a power ballad, was written by Swedish singer and songwriter Helena Johansson. An amazing beautiful song, wich reflects Martha Wash powerful voice, has already been successfully remixed as a club number from ‘Something Good’. And the title tune, ‘Something Good’, with a light dance tempo, also seems ripe for the remixing.

Martha Wash Proud

In March 2013 she was the special guest for the New York City Gay Men’s Chorus in their spring production ‘Big Gay Sing 6: Club Night Out’. Like every year, we could find Martha performing at World Pride, last year summer 2014 she performed in  Toronto, Canada.

Martha Wash ShowSomeLove_1600x1600

First Ladies of Disco: Martha Wash, Evelyn ‘Champagne’ King and Linda Clifford launch new single ‘Show Some Love’ (Photo by Mike Ruiz).

2014, Martha Wash, Evelyn ‘Champagne’ King and Linda Clifford came together and created in 2015 the show ‘First Ladies of Disco’ inspired by James Arena’s book  ‘First Ladies of Disco: 32 Stars Discuss the Era and Their Singing Careers’, a best seller in the United States, Canada and Europe.They paying tribute to some of the people that are not in the show, but were part of the disco era, like Donna Summer, and even Sylvester. These legendary vocalists are coming together to bring you what will be one of the most talked about shows in dance music history.

Martha Wash, not only one of the greatest voices in modern music. But also one of the most beautiful and loyal persons in the music business. Loyal to her friends, her colleagues, her fans, and countless ‘unknown’, Always working tirelessly on many benefits, and helps to raise much needed funds.

But now: it certainly is her time to shine! Honey, your ear has to bé in your foot!

by Jean Amr

West Hollywood Becomes First City in the Nation to Recognize Harvey Milk Day as an Official Holiday

Harvey Milk, march 7, 1978. Photo: Daniel Nicoletta

The City of West Hollywood has passed a Resolution to add Harvey Milk Day to its calendar of official holidays during which parking regulations for meters and associated meter time limits will not be enforced. The Resolution was passed on Monday, April 20, 2015 at a regular meeting of the West Hollywood City Council. Harvey Milk Day is celebrated annually on May 22 on the anniversary of Harvey Milk’s birthday. West Hollywood is the first city in the nation to observe Harvey Milk Day as a holiday.

The City of West Hollywood has a long history of celebrating Harvey Milk’s legacy. I was honored to host our inaugural celebration of Harvey Milk Day after it was signed into law in 2009. Observing Harvey Milk Day as an official municipal holiday is one more way West Hollywood remains committed to remembering and honoring those who have struggled to advance rights and protections for all LGBT people.

Lindsey P. Horvath, Mayor, West Hollywood

Annually, in recognition of Harvey Milk Day on May 22, the City of West Hollywood will not enforce parking regulations for meters and associated meter time limits. The enforcement of meters and associated meter time limit regulations will resume the day after Harvey Milk Day, on May 23.

To many LGBT people, West Hollywood is a beacon of hope, not unlike Harvey Milk’s San Francisco. As the first City in the nation to officially observe Harvey Milk Day, West Hollywood is continuing its record as a leader in advancing freedom and fairness for all. LGBT youth from Northridge to Nuevo can come to West Hollywood without fear – and on May 22nd, they can come to our city and enjoy what we have to offer without fear of getting an expensive parking ticket.

Lauren Meister, Mayor Pro Tempore

Harvey Milk Day is recognized in California as a day of special significance. The commemorative day was established in 2009 by the California state legislature and it was signed into law by Governor Arnold Schwarzenegger. Harvey Milk became the first openly gay elected leader in California when he won a seat on the San Francisco Board of Supervisors in 1977. In November 1978, Milk was assassinated by Supervisor Dan White after only 11 months in office. Milk’s legacy in the LGBT community is enormous. In 2009, President Barack Obama posthumously awarded Harvey Milk with a Presidential Medal of Freedom for his contribution to the LGBT movement.

For more information about Harvey Milk, please visit the Harvey Milk Foundation website at milkfoundation.org.