Love Me Like You Should

Disco icon Sylvester may best be known for the international hit singles ‘You Make Me Feel (Mighty Real)’, ‘Dance (Disco Heat)’, ‘Do You Wanna Funk’ and ‘Menergy’, but the recording artist’s groundbreaking career also furthered queer visibility in popular culture. Leaving a legacy that continues to influence today’s pop music.

Through the compelling new documentary ‘Love Me Like You Should: The Brave and Bold Sylvester’, produced for Pride 2020 by Amazon Music in collaboration with filmmaker Lauren Tabak and writer/consulting producer Barry Walters. The short documentary details the life and times of Sylvester James Jr., known mononymously as Sylvester.

When I saw Sylvester, my life was altered, my life was changed for the better. As a Black queer gay man, any glimmer of seeing oneself reflected back at them, through our culture, changes lives.

Billy Porter

The legacy of a musician who set new precedent for genderqueer, gay and black entertainers has been revisited the new mini-documentary. Sylvester’s story comes to life once more and the true extent of his impact – inside and out of the music industry – is explored.

It is a compilation of archival footage, as well as rare performance clips, charting Sylvester’s rise from Los Angeles choir boy to glam 1970s hit-maker. Starting with his birth in South Central Los Angeles, it charts the course of his move to San Fransisco’s Castro District and later breakthrough as a singer/songwriter.

He crossed over, he was a genderfluid Black man in mainstream music. That hasn’t happened since. There’s been a lot of us who have tried – and I’ve been trying for 30 years – nobody did it like Sylvester.

Billy Porter

While the significant influence of black culture on mainstream music extends back at least a century, James was among the first non-binary artists to achieve superstardom. As pointed out in the documentary, he championed gender fluidity years before it would be called that through his unapologetic style and demeanor.

The filmmakers also incorporate interviews with Sylvester’s sister Bernadette Baldwin, singer, actor and activist Billy Porter as well as collaborators like musician Peter Mintun, producer/songwriter James ‘Tip’ Wirrick, former background singer Martha Wash (Two Tons of Fun/Weather Girls), and Sylvester biographer Josh Gamson.

Sylvester was always ahead of us. He did things like talk about being married to a man before gay marriage was a thought. He responded to Joan Rivers saying that he was this drag queen by saying, ‘But I’m not a drag queen, I’m Sylvester.’ He wasn’t saying there’s something wrong with being a drag queen, he was saying that’s not how gender works. It was gender fluidity and nonbinary gender before we were really there.

Josh Gamson

In addition to interviews, and with his version of ‘God Bless The Child’ on the bacjground, – its is musical treasure! The kind of music he loved more then disco! – the 15-minute doc shows rare archival footage of Sylvester, including performances at The Stud, the historic San Francisco gay bar that recently shuttered. It also depicts how a 1979 show at the San Francisco War Memorial Opera House was a healing, joyous moment for the city in the wake of the assassination of gay politician Harvey Milk.

Sylvester died at the age of 41 on December 16th, 1988 after a long battle of an AIDS-related illness. He had attended the San Francisco Pride parade in a wheelchair shortly before passing on to show solidarity even in his final years. His legacy, however, continues to live on…..

Watch the 15-minute documentary:

Amazon has also curated a playlist called Pride History on which ‘You Make Me Feel (Mighty Real)’ is an entry.

Want to read the whole story of Sylvester? Use the ‘Sylvester’ tag….

Sylvester Step II, a timeless classic

January 13, 1979 – 40 years ago today, Sylvester debuted at no.85 on the Billboard Hot 100 Chart with his single ‘You Make Me Feel, Mighty Real’. This Syvester James and James ‘Tip’ Wirrick-penned single was the second of three Top 40’s for Sylvester on the Hot 100 Chart and his no.1 on the Billboard Disco Top 100 where he scored 18 entries.

In the early 70’s, Sylvester joined the renegade drag act the Cockettes and taught them gospel, but otherwise clashed with their outrageous brand of sketch comedy. Yet his appearances with the group – and especially his soaring solos – quickly turned Sylvester into an underground sensation. In 1972, when David Bowie failed to sell out his first San Francisco show, he told reporters, “They don’t need me; they have Sylvester.”

A seed had been planted, and Sylvester began to perform solo as the doyenne Ruby Blue, a jazz and soul persona influenced by his grandmother that he’d first assumed with the Cockettes. He played at the Rickshaw Lounge in Chinatown, singing standards by early icons like Ma Rainey, Bessie Smith, and Lena Horne. Ruby came about, in Sylvester’s words, to inhabit “the mystery of it. The freedom of it. The glamour of it.” Here, the genesis of Sylvester’s music was born, rich in soul and spiritual traditions, with a high tenor capable of trying on different feminine vocal styles at a whim.

Sylvester’s gender identity was purposefully inscrutable. His costumes oscillated between feminine extremes, sporting tinsel tutus with bouffanted wigs, but offstage he could be just as muted. Sylvester was equally comfortable trying on “butch” signifiers like leather pants or a close-cropped haircut; both sides lived within him at all times. He insisted that he never thought about his sexual identity onstage, citing a piece of advice given to him by another one of his idols, Josephine Baker: “The illusion you create onstage is all.” Sylvester defied categorization at every opportunity, and shrugged off questions intended to pin him down with the same cool he maintained on record: “Look dear, being gay means absolutely nothing except to straight people,” he sniped to a nosy reporter in 1978.

By the time Sylvester began to cut his own records, having signed to the San Francisco label Blue Thumb, he was still finding a niche. His rock-funk music, performing as ‘Sylvester and the Hot Band’, was far from the synthy, formulaic disco beginning to dominate both the charts and the gay clubs he frequented. Sylvester was a casual disco fan at best, and it wasn’t until he signed with jazz label Fantasy, by way of veteran producer Harvey Fuqua, that he fully leaned into the vision. Sylvester released a soulful self-titled album in the summer of 1977 and followed it up the next year with the glittering ‘Step II’, which remains his most precise and dazzling album.

The album’s opening one-two punch, ‘You Make Me Feel (Mighty Real)’ and ‘Dance (Disco Heat)’, both flaunt Sylvester’s musical genius, but the former is his his crown jewel. Working with a band led by guitarist James ‘Tip’ Wirrick, the singer intended it as a traditional ballad and wrote lyrics off the cuff in the studio. The arrangement morphed into something else entirely once Patrick Cowley, a friend and producer obsessed with Giorgio Moroder and Euro-dance eccentrics, got a hold of the song and infused it with a synthesized disco pulse. (“I’ll always love and be grateful to you,” reads Sylvester’s dedication to Cowley in ‘Step II’s liner notes, “for being right on time.”) “You Make Me Feel” pumps with the same space-age DNA as Donna Summer’s “I Feel Love,” released just the year before, only with Summer’s wispy voice replaced by Sylvester’s high-wire depiction of the era in San Francisco: “To dance and sweat and cruise and go home and carry on and how a person feels,” as he described it. His falsetto dances along with tense breath control until he screams that orgasmic chorus, a full-throated Pentecostal spiritual transformed into an instant disco crowdpleaser.

Sylvester believed there were “enough love songs in the world like there were enough children,” yet ‘Step II’ throbs with passion. Sylvester covers Burt Bacharach and Hal David’s swaying ‘I Took My Strength From You’, elongating his vocals into gossamer threads and bending the song into a pure devotional. ‘Was It Something That I Said’, a rolling R&B song co-written with Fuqua, opens with a back-and-forth between Sylvester’s beloved backup singers, Martha Wash and Izora Armstead (aka Two Tons o’ Fun, who would later form the Weather Girls). “Child, have you heard the latest?” they titter. “Uh-oh, what’s goin’ on now? About Sylvester breakin’ up?” He recalls receiving a letter with a phone number, only to call and find it disconnected. The fallout leaves him overcome, a miniature tragedy writ large with funky keys, horn licks, and a spoken-word bridge.

‘Step II’ and ‘You Make Me Feel (Mighty Real)’ led Sylvester to international success. On the Billboard Disco Top 100 Chart, the single was billed with ‘Dance (Dance Heat)’ was his first Hot 100 entry the previous August and peaked at no.19 on November25, 1978. The album went gold (celebrated by the label with wine bottles pressed with Step II labels, no less), and Sylvester made a slew of TV appearances where he put on brassy performances for national audiences. He opened for acts such as the Commodores, the O’Jays, and Chaka Khan, and extensively toured Europe with a large band, whipping fans abroad into a Beatles-style mania. Practically overnight, all of Sylvester’s dreams of stardom had become a reality, and he hadn’t forsaken any part of himself to get there.

Sylvester received the keys to San Francisco on March 11, 1979, and ‘You Make Me Feel’ was inducted into the Library of Congress in 2018, formally confirming Sylvester’s impact on American culture at large. Go to any gay club or Pride event worth its salt and you’ll hear ‘You Make Me Feel’ blaring over the speakers at some point, spinning open and sending every person to the dancefloor to commune. Remnants of the ballad version appear on a reprise halfway through ‘Step II’, but look no further than the ascendant, gospel rendition on 1979’s live album ‘Living Proof’, recorded live at San Francisco’s War Memorial Opera House, for hard proof of the song’s divine power, no matter the conduit: Sylvester breaks from the propulsive beat for a slowed-down interlude bolstered by a choir, his voice climbing into an angelic upper register that blows the wind out of you.

Sylvester died at 41 of AIDS in 1988, just a year after his longtime husband, architect Rick Cranmar, died of the same. Cowley, too, died of AIDS in 1982, the same year the two recorded the sleek Hi-NRG blast ‘Do You Wanna Funk?’; Cowley became one of the first publicized deaths from the virus. Sylvester also put a face to the crisis when he led the People With AIDS group in a wheelchair at the 1988 San Francisco Pride Parade. “He’s allowing us to celebrate his life before his death, and I don’t know a single star who has the integrity to do that,” the novelist Armistead Maupin wrote afterward.

“I don’t want much – just a fabulous time,” he said the year Step II came out. “I have quite normal feelings but I like to take on a little bit more excitement than most. I am what I am, I do what I do, I know what I am, I live for what I feel.” Through his extraordinary style and boundless imagination, Sylvester generously paved the way for all of us to do the same.

‘Step II’, a timeless classic, with great dance music, and some of the most beautiful ballads.